+*-Tide Poster-*+:
Layout:Comic strip-like layout - draws in the audience - promotes sales.
Images:
Main central image - Denotes 1950's housewife hugging a box of tide - shows female adoration for the product.
Woman standing next to the washing machine - the rise of modern technology - making tasks easier for woman.
Text and language:
Lexical set - “Cleanest”, “Whitest” and “Brightest” - Barthes semiotics: connotes positivity - the benefits surrounding tide product.
Link of the product name “Tide” and the a
Lexical set - “Cleanest”, “Whitest” and “Brightest” - Barthes semiotics: connotes positivity - the benefits surrounding tide product.
Link of the product name “Tide” and the a
Mode of address and methods of persuasion:
The text uses indirect mode of address - shows what woman think of tide as a collective.
Persuaded through bright colours (see colour heading)
Colour:
Red - connotes seductive nature - sexualisation of woman (red lipstick on the red women and the text.)
Pink - (love hearts above woman) - shows female and feminine adoration of product.
Red - connotes seductive nature - sexualisation of woman (red lipstick on the red women and the text.)
Pink - (love hearts above woman) - shows female and feminine adoration of product.
Representation of women:
Reinforces patriarchal stereotypes - women are the homemakers - main focus is household duties.
Van Zoonen - Men and women are represented differently in the media. Women are objectified as a result of Western Culture - women are seen as the homemakers - tide reinforces this gender stereotype through the patriarchy - men aren’t represented throughout the household product poster.
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